Alexandra Friedman

set & production design | costume design | fabrication

Alex Friedman creates environments for performance - on screen, on stage, and on the body. She is especially excited about new work and having an open collaborative process. Alex aims to engage diverse audiences, exploding their preconceived notions of what film and theatre can be, and is interested in media that embrace the tactile craft of design and the beauty of the handmade.

Born in St Petersburg, Russia, Alex is a native of New York City and an alumna of Brandeis University and CalArts. Her design work for theatre has been presented at the Edinburgh Festival Fringe and throughout the SF Bay Area and LA.

Alex recently completed jobs as a set designer on a new series for Bix Pix and on Guillermo del Toro’s new stop-motion Pinocchio film, produced by Shadowmachine and Netflix. Her first feature as a set designer, LAIKA’s stop-motion Missing Link, won the Golden Globe for Best Animated Feature in 2020. She is currently open to new opportunities.

SET DESIGN

MISSING LINK, DIRECTED BY chris BUTLER

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The fifth stop-motion feature from the studio that created Coraline and Kubo and the Two Strings, Missing Link tells the story of a Sasquatch who tires of his solitary life in the Pacific Northwest and yearns for some connection with his kin. He recruits fearless explorer Sir Lionel Frost to guide him on a journey to find his long-lost relatives in the fabled valley of Shangri-La. They join forces with adventurer Adelina Fortnight and encounter their fair share of peril as they travel to the far reaches of the world. Through it all, they learn that sometimes one can find a family in the places one least expects.

This film was LAIKA’s most epic yet, as the characters’ quest took them from London, to the Pacific Northwest, to California, and finally across the globe to the Himalayas. With over 110 sets and 65 unique locations that included sumptuous Victorian-era interiors, lush forests and jungles, vast snowy landscapes, and a variety of trains, ships, and carriages, this film was a lot of fun to bring to help bring to life.

As a set designer, I translated storyboards and production artwork into designs for over a dozen sets -- both practically constructed and digital -- through research, Vectorworks drafting, and scale models/maquettes. My information was then used by the Set Shop, Model Shop, Landscapes Department, and VFX to build the worlds for the stop-motion characters to inhabit.

The images below include a selection of film screen shots, set photos, maquette photos, and drafting samples from some of the sets I designed. More drafting and other materials available upon request.

written and directed by Chris Butler

production design by Nelson Lowry

cinematography by Chris Peterson

costume design by Deborah Cook

art direction by Rob DeSue

assistant art direction by Andy Berry, Phil Brotherton, Jesse Gregg, & Kieron Thomas

Copyright © 2022, Alexandra Friedman. All rights reserved.